We don’t just “digitize” your material. We invest in the best equipment and meticulously calibrate and maintain it. Our engineers have decades of experience with these machines and formats, and treat your material with the utmost care and precision. They have dedicated their careers to the art of sound, and the results are clear. This combination of experience and equipment investment truly sounds better than your typical audio transfer. Remember, it’s not just the tools, but the experience and talent using the tools that gets the best results.
Call or write us with any questions or concerns you may have about your collection.
Magnetic Film:
35mm playback–stripe, 3-trk, 4-trk, 6-trk, 7-trk Cinerama
35mm record– 3-trk, 4-trk, 6-trk
17.5mm playback- 1-trk, 2-trk
16mm playback- edge, center, and 2-trk
Optical Film:
35mm or 16mm area and density tracks
35mm 200mil push/pull
17.5mm area or density tracks
16mm prints with mag stripe
70mm prints- 6-trk mag stripe
Digital Audio:
Hard/Flash Drives
DA-88/98HR
DAT, TC-DAT, ADAT, PCM 1610/1630
MO discs including AKAI format
DASH 3324 and 3348HR
Data Tape: (new or migration)
LTO 1, 2, 3, 4, 5, and 6
Magnetic Tape:
2” 24-trk w/ pilot or timecode
2” 16-trk and 1” 8-trk
1/2” 4-trk w/ pilot, timecode, or FM
1/2” 3-trk Rangertone and variants
1/2” 2-trk with timecode
1/4” mono or 2-trk with pilot
1/4” mono Nagra neo-pilot
1/4” stereo Nagra w/FM sync
1/4” Fairchild AM sync
1/4” Rangertone, Maihak
1/4” Perfectone, Telefunken
1/4” Leevers-Rich mono or stereo
1/4” 4-trk consumer stereo (non-sync)
Cassettes (all lengths/noise reduction types)
Grooved Media:
Records/Transcriptions– all speeds and sizes to 17.25”
Sync Vitaphone playback
Wax Cylinders (unique Hi-Fi playback)
