Audio Mechanics is equipped with the latest cutting-edge technology, world-class 5.1 studios designed by Chris Pelonis, fully integrated digital workflow, and the finest legacy gear available. The facility was designed from the ground up and features complete audio/video/data integration among all rooms, 32 terabyte data storage with built-in redundancy, and automatic backup to LTO. The centralized equipment room allows the studios to share resources efficiently and quickly recover from equipment failures. Even the juke box in the lounge can be routed to any sound room or office in the facility!
The state-of-the-art 5.1 mastering rooms feature instant room tuning presets to adapt to the project. A “flat” setting for music mastering; a Dolby certified film setting for print mastering; a screen compensation EQ setting for the center channel when the Stuart screen is lowered for picture projection; and delay compensation for the digital video projector. Up to 50 different room tunings can be stored to simulate various listening environments. The speaker systems feature an ITU placement of 5 matched dual 15″ Pelonis Series mains, based on a Tannoy 15″ dual concentric phase linear driver integrated with super fast low frequency driver and super tweeters that extend the frequency response up to 80 kHz. JBL dual 18″ sub-woofers deliver a thundering “point-one punch”. Pelonis Edge technology bass trapping with a first ever acoustic RPG peg board utilizing a mathematically randomized hole pattern to permit near perfect bass absorption along with an evenly distributed diffusion above 500 Hz… but, of course, you’ve got to hear it!
The rooms are georgeous, the sound is amazing, the imaging is perfect. It’s all about the details.
